Since its founding in 1827 in Mayfair, Thomas Goode & Co. has been has been a curator of moments, a silent witness to history, and a symbol of craftsmanship revered across continents. From Buckingham Palace to Beverly Hills, this heritage British brand has walked with royalty, whispered across state banquets, and dined with rock stars. Each association, past or present, adds another thread to a tapestry that’s as exquisite as the porcelain it produces.
Let’s step into the world of Thomas Goode- through the lens of the remarkable names and houses it has worked with.
Royals at the table
If there’s one mark of enduring prestige in the UK, it’s the Royal Warrant. Thomas Goode proudly holds two- one from Queen Elizabeth II and another from The Prince of Wales, reflecting centuries of service to the British monarchy. Its relationship with the Royal Family began as early as 1858, when it was first commissioned by Queen Victoria and Prince Albert to create bespoke porcelain. Since then, the firm has crafted ceremonial pieces for King Edward VII, Queen Alexandra, and the House of Windsor, becoming an integral part of Britain’s aristocratic identity.
Among its most storied creations was a dinner service designed for the wedding of Prince Charles and Lady Diana in 1981-delicate, hand-painted, and forever part of the royal archive.
Emperors and Tsars
Thomas Goode’s legacy stretches far beyond the British Isles. The brand famously crafted designs for Tsar Nicholas II of Russia, echoing the opulence of the Romanov courts. From Europe’s crowned heads to Persian royalty, Goode’s bespoke designs have made their way into the palaces of those for whom dining has always been ritual, not routine.
In 1922, it was even invited to create miniature, functional tableware for Queen Mary’s Doll’s House—an architectural marvel housed in Windsor Castle. With over 76 pieces of crystal and porcelain scaled down to doll-size perfection, it stands as one of the most charming symbols of Thomas Goode’s precision.
Sir Elton John
Few icons blend flamboyance and finesse quite like Sir Elton John, and his connection to Thomas Goode is deeply personal. A collector, admirer, and former shareholder, Elton famously said, “There’s no shop like this in the world.” In a world of fast fashion and fleeting luxury, he saw Thomas Goode for what it truly is: slow, intentional, and eternal. He also happens to be 1% shareholder in the company, a move that for encouraged by his great experience at Thomas Goode.
And he’s not the only one. Over the years, the brand has attracted billionaires, oligarchs, and collectors who value timelessness over trend.
The Minton Elephants of 1889
For the Paris Exhibition of 1889, Thomas Goode commissioned two seven-foot-tall Majolica elephants to display their finest china atop. These iconic sculptures, crafted by Minton, now guard the storefront of their South Audley Street showroom- a bold visual signature of Victorian-era extravagance that still captivates modern audiences.
Obeetee x Thomas Goode: legacy meets legacy
In one of its most refined modern-day collaborations, Thomas Goode found a kindred spirit in India’s premier luxury rug house, Obeetee. Where Goode speaks in porcelain, Obeetee speaks in wool- both fluent in the language of craft. Their joint showcase at Kolkata’s Makaibari Bungalow was not just a product launch, but a cultural statement. Fine bone china sat gently atop hand-knotted carpets dyed with pomegranate skin and turmeric- a marriage of Mayfair elegance and Mirzapur soul.
This wasn’t a fast-fashion ‘collab’ with logos plastered across merchandise. It was legacy recognising legacy. A cross-continental partnership rooted in craftsmanship, patience, and permanence. As Angelique Dhama, who leads both brands, put it: “We’re bringing together two houses that believe in the soul of things- the kind of craftsmanship that outlives trends and turns into legacy.”
Camellia: Thomas Goode x Makaibari Tea Estate
Riding the wave of cultural collaboration further, Thomas Goode also partnered with the legendary Makaibari Tea Estate to create Camellia- an exquisite, limited-edition tea set adorned with 24-carat gold. Inspired by Makaibari’s lush tea gardens in Darjeeling, the collection was unveiled at a high tea experience inside the Bungalow at Taj Bengal.
Blending the sophistication of British high tea with the warmth of Indian ‘chai time,’ this partnership wasn’t just about aesthetics- it was about emotion, ritual, and storytelling. Once again, Thomas Goode proved its mastery in transforming tradition into tactile luxury.
The future
Under new leadership and a fresh wave of global interest, Thomas Goode is evolving without compromising its soul. With flagship stores in London, Mumbai, and New Delhi, and collaborations with Indian designers like Eeshaan Kashyap, Sabyasachi, and more in the pipeline, the brand is courting a new generation of luxury connoisseurs.
In an age where design is often reduced to Instagrammable moments and algorithms, Thomas Goode remains a quiet force of meaning. Its pieces have sat at royal weddings, on dollhouse tables, and in modern homes from St. Petersburg to South Mumbai. But more than anything, the brand reminds us that true luxury isn’t loud. It’s timeless, crafted slowly, passed down, and cherished deeply.
Because some brands are just brands.
And some, like Thomas Goode, are legacy, etched in bone china and woven into history.